Theory of African Music, Volume II

Theory of African Music, Volume II
Author :
Publisher : University of Chicago Press
Total Pages : 368
Release :
ISBN-10 : 9780226456942
ISBN-13 : 0226456943
Rating : 4/5 (943 Downloads)

Book Synopsis Theory of African Music, Volume II by : Gerhard Kubik

Download or read book Theory of African Music, Volume II written by Gerhard Kubik and published by University of Chicago Press. This book was released on 2010-11-15 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vol. 1 previously published in 1994 by F. Noetzel.


Theory of African Music, Volume II Related Books

Theory of African Music, Volume II
Language: en
Pages: 368
Authors: Gerhard Kubik
Categories: History
Type: BOOK - Published: 2010-11-15 - Publisher: University of Chicago Press

DOWNLOAD EBOOK

Vol. 1 previously published in 1994 by F. Noetzel.
Theory of African Music, Volume I
Language: en
Pages: 465
Authors: Gerhard Kubik
Categories: History
Type: BOOK - Published: 2010-10-30 - Publisher: University of Chicago Press

DOWNLOAD EBOOK

Vol. 1 previously published in 1994 by F. Noetzel.
Theory of African Music, Volume II
Language: en
Pages: 367
Authors: Gerhard Kubik
Categories: Social Science
Type: BOOK - Published: 2010-11-15 - Publisher: University of Chicago Press

DOWNLOAD EBOOK

Erudite and exhaustive, Gerhard Kubik’s Theory of African Music provides an authoritative account of its subject. Over the course of two volumes, Kubik, one o
Theory of African Music, Volume I
Language: en
Pages: 465
Authors: Gerhard Kubik
Categories: Social Science
Type: BOOK - Published: 2010-08-27 - Publisher: University of Chicago Press

DOWNLOAD EBOOK

Taken together, these comprehensive volumes offer an authoritative account of the music of Africa. One of the most prominent experts on the subject, Gerhard Kub
Representing African Music
Language: en
Pages: 289
Authors: Kofi Agawu
Categories: Music
Type: BOOK - Published: 2014-04-23 - Publisher: Routledge

DOWNLOAD EBOOK

The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumpti