The Words and Music of Taylor Swift

The Words and Music of Taylor Swift
Author :
Publisher : Bloomsbury Publishing USA
Total Pages : 137
Release :
ISBN-10 : 9781440852954
ISBN-13 : 1440852952
Rating : 4/5 (952 Downloads)

Book Synopsis The Words and Music of Taylor Swift by : James E. Perone

Download or read book The Words and Music of Taylor Swift written by James E. Perone and published by Bloomsbury Publishing USA. This book was released on 2017-07-14 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scholarly analysis of the music of Taylor Swift identifies how and why she is one of the early 21st century's most recognizable and most popular stars. By the age of 13, singer-songwriter Taylor Swift had already inked a development deal with a major record label. This early milestone was an appropriate predictor of what accomplishments were to come. Now a superstar artist with an international fanbase of millions and several critically acclaimed and commercially successful albums, Swift has established herself as one of the most important musicians of the 21st century. This accessible book serves Taylor Swift fans as well as students of contemporary popular music and popular culture, critically examining all of this young artist's work to date. The book's organization is primarily chronological, covering Taylor Swift's album and single releases in order of release date while also documenting the elements of her music and personality that have made her popular with fans of country music and pop music across a surprisingly diverse age range of listeners. The chapters address how Swift's songs have been viewed by some fans as anthems of empowerment or messages of encouragement, particularly by members of the LGBTQ community, those who have been bullied or been seen as outsiders, and emerging artists. The final chapter places Swift's work and her public persona in the context of her times with respect to her use of and relationship with technology—for example, her use of social media and songwriting technology—and her expressions of a new type of feminism that is unlike the feminism of the 1970s.


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