Faithin Omaha eBook Collection

How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of

Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked -and marketed - under a single racial

During the Cold War, several prominent African American radical activist-intellectuals—including W.E.B. and Shirley Graham Du Bois, journalist William Worthy,

An exciting new work on how black and Asian racial structures were woven together within US theatrical practices in the run up to the Second World War, Steen us

Considering the development and ongoing influence of Black thought From 1900 to the present, people of African descent living in the United States have drawn on