Indian Miniatures and Paintings from the 16th to the 19th Century

Indian Miniatures and Paintings from the 16th to the 19th Century
Author :
Publisher : Mondadori Electa
Total Pages : 160
Release :
ISBN-10 : UCSC:32106016667104
ISBN-13 :
Rating : 4/5 ( Downloads)

Book Synopsis Indian Miniatures and Paintings from the 16th to the 19th Century by : Museo di Castelvecchio (Verona, Italy)

Download or read book Indian Miniatures and Paintings from the 16th to the 19th Century written by Museo di Castelvecchio (Verona, Italy) and published by Mondadori Electa. This book was released on 1997 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Indian Miniatures and Paintings from the 16th to the 19th Century Related Books

Indian Miniatures and Paintings from the 16th to the 19th Century
Language: en
Pages: 160
Authors: Museo di Castelvecchio (Verona, Italy)
Categories: Miniature painting
Type: BOOK - Published: 1997 - Publisher: Mondadori Electa

DOWNLOAD EBOOK

Court & Courtship
Language: en
Pages: 0
Authors: Jeremiah P. Losty
Categories: Art
Type: BOOK - Published: 2020 - Publisher:

DOWNLOAD EBOOK

Features in-depth commentary on 90 superb paintings by the eminent art historian J.P. Losty - Many of the paintings offer fascinating insights into Indian attir
Indian Court Painting, 16th-19th Century
Language: en
Pages: 154
Authors: Steven Kossak
Categories: Miniature painting, Indic
Type: BOOK - Published: 1997 - Publisher: Metropolitan Museum of Art

DOWNLOAD EBOOK

A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in
Painted Delight
Language: en
Pages: 236
Authors: Stella Kramrisch
Categories: Antiques & Collectibles
Type: BOOK - Published: 1986 - Publisher: Philadelphia Museum (PA)

DOWNLOAD EBOOK

The Theory of Citrasutras in Indian Painting
Language: en
Pages: 209
Authors: Isabella Nardi
Categories: Art
Type: BOOK - Published: 2007-01-24 - Publisher: Routledge

DOWNLOAD EBOOK

Filling a distinct gap in Indian scholarship, this original account presents a critical re-examination of the key Indian concepts of painting as described in th