Éric Rohmer

Éric Rohmer
Author :
Publisher : Columbia University Press
Total Pages : 670
Release :
ISBN-10 : 9780231541572
ISBN-13 : 0231541570
Rating : 4/5 (570 Downloads)

Book Synopsis Éric Rohmer by : Antoine de Baecque

Download or read book Éric Rohmer written by Antoine de Baecque and published by Columbia University Press. This book was released on 2016-06-14 with total page 670 pages. Available in PDF, EPUB and Kindle. Book excerpt: The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.


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Authors: Antoine de Baecque
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Type: BOOK - Published: 2016-06-14 - Publisher: Columbia University Press

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The 1969 film Ma Nuit chez Maud catapulted its shy academic film director Eric Rohmer (1920-2010) into the limelight, selling over a million tickets in France a
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Eric Rohmer was a key figure in French New Wave cinema. Contributors to this volume revisit, complicate, and upend accepted readings and interpretations of pere