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Download or read book A Guide to the Art of Latin America (Classic Reprint) written by Robert Chester Smith and published by Forgotten Books. This book was released on 2018-09-15 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Guide to the Art of Latin America The fact that no such book exists is indeed the principal justification for this bibliography. The reader must search among a multitude of articles and rare publications for the scattered information which will give a picture of the whole. Many items included here may seem out side the subject; but Latin American art is an undeveloped field, and we must look to authors writing on other matters for information and suggestions. For example, there is not one book or article which deals thoroughly with the colonial art of Bolivia, although Bolivia in that period produced some of the most original and interesting work of the whole Spanish American empire. In such a situation, any publication which contains good photographs or exact descriptions, or which can shed light on any aspect of colonial life in Bolivia, is valuable. In this larger sense, there is a good deal of information available in print, and the size of this bibliography - already selective - has surprised the editors. Naturally the principle of selection has varied for each country with the material available in the field of art, and such collateral reading has been admitted more sparingly in the case of countries like Mexico and the Argentine which ofier richer bibliographies of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.