Techniques and Materials of Tonal Music

Techniques and Materials of Tonal Music
Author :
Publisher : Houghton Mifflin
Total Pages : 312
Release :
ISBN-10 : UCSD:31822000799189
ISBN-13 :
Rating : 4/5 ( Downloads)

Book Synopsis Techniques and Materials of Tonal Music by : Thomas Benjamin

Download or read book Techniques and Materials of Tonal Music written by Thomas Benjamin and published by Houghton Mifflin. This book was released on 1986 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Techniques and Materials of Tonal Music Related Books

Techniques and Materials of Tonal Music
Language: en
Pages: 312
Authors: Thomas Benjamin
Categories: Composition (Music)
Type: BOOK - Published: 1986 - Publisher: Houghton Mifflin

DOWNLOAD EBOOK

Understanding Post-Tonal Music
Language: en
Pages: 404
Authors: Miguel A. Roig-Francolí
Categories: Music
Type: BOOK - Published: 2008 - Publisher:

DOWNLOAD EBOOK

The author recognises that 20th century music is best understood in both technical and historical terms. The book features model composition exercises. The use
Form in Tonal Music
Language: en
Pages: 344
Authors: Douglass Marshall Green
Categories: Education
Type: BOOK - Published: 1979 - Publisher: Cengage Learning

DOWNLOAD EBOOK

Like many texts on musical analysis, FORMS IN TONAL MUSIC equips students to critically examine a wide range of compositions and forms. However, Green's text ta
Materials and Techniques of Post-Tonal Music
Language: en
Pages: 404
Authors: Stefan Kostka
Categories: Music
Type: BOOK - Published: 2018-03-13 - Publisher: Routledge

DOWNLOAD EBOOK

Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Coverin
A Generative Theory of Tonal Music, reissue, with a new preface
Language: en
Pages: 385
Authors: Fred Lerdahl
Categories: Music
Type: BOOK - Published: 1996-06-03 - Publisher: MIT Press

DOWNLOAD EBOOK

A search for a grammar of music with the aid of generative linguistics. This work, which has become a classic in music theory since its original publication in