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The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin

The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin

This study analyzes chamber music from Mozart's time within its highly social salon-performance context.

Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study

This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth c