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Language: en
Pages: 428
Pages: 428
Type: BOOK - Published: 1997 - Publisher: Indiana University Press
Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and
Language: en
Pages: 321
Pages: 321
Type: BOOK - Published: 2017 - Publisher: Oxford University Press
Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthe
Language: en
Pages: 417
Pages: 417
Type: BOOK - Published: 2020-04-01 - Publisher: Oxford University Press
In the late 19th century, modern psychology emerged as a discipline, shaking off metaphysical notions of the soul in favor of a more scientific, neurophysiologi
Language: en
Pages: 334
Pages: 334
Type: BOOK - Published: 2018-10-01 - Publisher: Routledge
Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication pr
Language: en
Pages: 300
Pages: 300
Type: BOOK - Published: 2000 - Publisher: Indiana University Press
This study analyses the value of semiotics in film analysis. It poses the question that if cinema is a language can it be understood through the techniques of l