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Download or read book Fancies Versus Fads (Classic Reprint) written by Gilbert Keith Chesterton and published by Forgotten Books. This book was released on 2017-12-13 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Fancies Versus Fads There is indeed nothing very extraordinary about these visions, except the extraordinary people who have provoked some of them. They are only a very sketchy sort of sketches of some of the strange things that may be found in the modern world. But however inadequate be the example, it is none the less true that this is the sound principle behind much better examples and that, in those great things as in these small ones, sanity was the condition of satire. It is because Gulliver is a man of moderate stature that he can stray into the land of the giants and the land of the pygmies. It is Swift and not the professors of Laputa who sees the real romance of getting sunbeams out of cucumbers. It would be less than exact to call Swift a sunbeam in the house but if he did not himself get much sunshine out of cucumbers, at least he let daylight into professors. It was not the mad Swift but the sane Swift who made that story so wild. The truth is more self evident in men who were more sane. It is the good sense of Rabelais that makes him seem to grin like a gargoyle and it is in a sense because Dickens was a Philistine that he saw the land so full of strange gods. These idle journalistic jottings have nothing in common with such standards of real literature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.