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Language: en
Pages: 402
Pages: 402
Type: BOOK - Published: 2016-10-06 - Publisher: Bloomsbury Publishing
The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the
Language: en
Pages: 489
Pages: 489
Type: BOOK - Published: 2020-03-16 - Publisher: University of Illinois Press
Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit
Language: en
Pages: 224
Pages: 224
Type: BOOK - Published: 2016-05-13 - Publisher: Routledge
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and c
Language: en
Pages:
Pages:
Type: BOOK - Published: 2010-05-27 - Publisher: Cambridge University Press
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subj
Language: en
Pages: 202
Pages: 202
Type: BOOK - Published: 2011-07-29 - Publisher: Oxford University Press
Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classic