Cinema and the Cultural Cold War

Cinema and the Cultural Cold War
Author :
Publisher : Cornell University Press
Total Pages : 348
Release :
ISBN-10 : 9781501752339
ISBN-13 : 1501752332
Rating : 4/5 (332 Downloads)

Book Synopsis Cinema and the Cultural Cold War by : Sangjoon Lee

Download or read book Cinema and the Cultural Cold War written by Sangjoon Lee and published by Cornell University Press. This book was released on 2020-12-15 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.


Cinema and the Cultural Cold War Related Books

Cinema and the Cultural Cold War
Language: en
Pages: 348
Authors: Sangjoon Lee
Categories: History
Type: BOOK - Published: 2020-12-15 - Publisher: Cornell University Press

DOWNLOAD EBOOK

Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly indep
Cinema in the Cold War
Language: en
Pages: 164
Authors: Cyril Buffet
Categories: Social Science
Type: BOOK - Published: 2017-10-02 - Publisher: Routledge

DOWNLOAD EBOOK

The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with word
Cinematic Cold War
Language: en
Pages: 320
Authors: Tony Shaw
Categories: History
Type: BOOK - Published: 2010 - Publisher:

DOWNLOAD EBOOK

The first book-length survey of cinema's vital role in the Cold War cultural combat between the U.S. and the USSR. Focuses on 10 films--five American and five S
The Cold War and Asian Cinemas
Language: en
Pages: 333
Authors: Poshek Fu
Categories: Performing Arts
Type: BOOK - Published: 2019-11-28 - Publisher: Routledge

DOWNLOAD EBOOK

This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideolo
Cinema of Collaboration
Language: en
Pages: 292
Authors: Mariana Ivanova
Categories: Performing Arts
Type: BOOK - Published: 2019-10-03 - Publisher: Berghahn Books

DOWNLOAD EBOOK

From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, i